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【动态】徐红明个人艺术项目《非云非雾非炁Qi》

2023-04-19 00:00:00 来源:艺术家提供作者:
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https://img10.artimg.net/public/beian/jpg/202305/e2f2d04372e931b8a8326e8ad076473d.jpg

  徐红明:非云非雾非炁Xu Hongming: Non-Cloud Non-Fog Non-Qi

  展览日期 | Duration :2023 / 4 / 22 - 6 / 5

  周二 至 周六 Tuesday To Saturday 11:00 - 19:00

  周日 Sunday12:00 - 17:00

  (周一闭馆) Closed on Monday

  展览开幕 | Opening :2023 / 4 / 22 - 14:30

  展览地点 | Location :蓝岸画廊,南山区欢乐海岸购物中心3层9号

  L3 No.9 O‘Plaza , Nanshan District

  「 无定形的场域 」 换句话说,宇宙类似于无形...有点像蜘蛛或是唾液

  -

  乔治·巴塔耶,法国思想家

  「 The Formless Filed  」

  On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit.

  - By Gorges Bataille

  蓝岸画廊荣幸地宣布将于2023年4月22日至6月5日期间,隆重推出艺术家徐红明的个人艺术项目“非云非雾非炁Qi”(Non-cloud Non-Flog Non-Qi )。展览作为徐红明继2020年蓝岸画廊个展之后的沉淀与勃发,是艺术家基于思维回溯的全然性创造,在愈加纯粹的绘画之中,将人引入意识的国度。

  LAN Gallery is pleased to announce the personal art project Non-Cloud, Non-Fog,Non-Qi by Xu Hongming, which will run from April 22th to June 5th  2023. The exhibition, as a precipitation and burst of development following Xu Hongming’s exhibition at the LAN Gallery in 2020, is the artist‘s holistic creation based on retrospective thinking, introducing people to the land of consciousness in an increasingly pure painting.

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  非云非雾非Qi  Non-Cloud Non-Fog Non-Qi徐红明2022.9.18180×180 cm绢布水性颜料 Watercolour and Ink on Silk

  展览“非云非雾非炁Qi”,以徐红明发源于近三十年前的里程碑式作品“可伸展的菱形”系列为起点,在时间的流变之中,艺术家走向独属于自己的艺术语言和哲学世界。在不能被视觉确定的画面内,徐红明描绘着或是云,或是雾,亦或是某种流动的无法描述之形,妄图通过文字去定义和捕捉画中物,是注定无力的。皆因这是存在语言之上,纯粹知觉层面的“形与物”。

  The exhibtion Non-Cloud, Non-Fog, Non-Qi begins with Xu Hongming’s landmark series ‘Extendable Rhomboid’, which originated nearly thirty years ago, as the artist moves through time towards a unique artistic language and philosophical world of his own. Within the images that cannot be visually defined, Xu Hongming depicts either clouds, fog or some kind of flowing indescribable form, trying to define and capture the objects in the paintings through words is doomed to futility. It is because this is a purely perceptual level of ‘form and matter’ that exists above language.

https://img10.artimg.net/public/beian/jpg/202305/2c35294384077575d9fd234f1409d4d3.jpg

  非云非雾非Qi  Non-Cloud Non-Fog Non-Qi徐红明2021.8.1169×69 cm绢布水性颜料 Watercolour and Ink on Silk

https://img10.artimg.net/public/beian/jpg/202305/22d64884e6be88cef7c20c90ddd474e2.jpg

  非云非雾非Qi  Non-Cloud Non-Fog Non-Qi徐红明2021.5.8180×180 cm绢布水性颜料 Watercolour and Ink on Silk

  将肉眼所见之物归类并总结可以让思路变得确定,这符合人类从原始社会进步到文明社会的本能。但是将肉体或者是精神所感受之物转化成语言的这个过程,必将会使所想要传达的意思产生曲解,更何况人类社会存在着无数的语言。于是徐红明将我们带回到最本质的红,黄,蓝,黑,白等颜色中,使它们在画面中碰撞,融合,并无主次先后之分。

  我们会发现,徐红明虽然在绘画中,对物质进行了模糊化的表达,所谓的空间、透视和前后关系都在他的画面中被消解,却并没有消失,反而退隐至更深层的精神性的世界。“无定形”的概念是一种对定义的摧毁,拒绝理想化的人文主义,遵循着顺势而为的行为路径,符合事物自然演化的“道”。

  Categorising and summarising what is seen by the eyes give certainty of thought, in line with the human instinct to progress from a primitive to a civilised society. But the process of translating what is felt physically or mentally into language is bound to distort the meaning of what is intended, not to mention the fact that there are countless languages in human society. So Xu Hongming brings us back to the essential colours of red, yellow, blue, black and white, allowing them to collide and merge in the picture, without prioritisation.

  We will find that although Xu Hongming‘s paintings are a blurred expression of matter, the so-called space, perspective and front-back relationships are dissolved in his pictures, they do not disappear, but rather recede into a deeper, spiritual world. The concept of “amorphous” is a kind of destruction of definition, rejecting idealised humanism and following the path of acting in accordance with the natural evolution of things, the “Tao”.

https://img10.artimg.net/public/beian/jpg/202305/0a1df6a8a252b551eb509041e65da47c.jpg

​  非云非雾非Qi  Non-Cloud Non-Fog Non-Qi徐红明2021.5.1180×180 cm绢布水性颜料 Watercolour and Ink on Silk

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